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GENERATION EURO 1000

Even the best buffalo is credible but it's a hoax. The generation described in the film is credible but does not tell the real generation of the 1000 eurini there on the streets.

Certainly the director and the writer have never lived with Euro 1000 and if this has happened will have had a "help" family bank or some charity. We think that rather than 1000 € you have to build a life, a future ... who knows maybe even a few dream. And if not enough? The mechanism triggered in recent years in Italy and the world does nothing to diminish the value of € 1000 (also free paper gold equivalent).

But back to the film. At half time, I said a little 'Pallos. I enjoyed it too, for goodness' sake, but that the pace was "dismantled" that's for sure and verifiable. I was amused by the gag and find the script - that worked well within the frames are unique because there is a good staging - rather than a rhythmic construction of sussequenzialità scenes. Then we say that (wrong pace, of course) ends up hijacking the film its title and its mission. Here the viewer gets to ask if you are watching a narrative film that deals with the "Generation Euro 1000" to find true love, or "Generation Euro 1000" to find a decent future?

A title like that points directly to the second option, whereas the film embraces the former. With a few scenes in less surely would have earned at least the beat.

The actresses are very good most of the actors. The main character at times seems too ridiculous but it recovers a lot because the acting is based on the previous gag. Probably watching the main character, you could analyze the script and remove some of the scenes. Not sure what it is, but I wonder if the film would have benefited or not. Surely those who are not boring actresses. Moreover, it is love in the conflict, the conflict that lurks in the film. More exposed to quite late. Until then, the story had not given anything for a line (for example: the fight to increase eurini 1000) and structurally scenes were, as I have said little about, "dismantled". This entry to the (active) stage of the two girls. The structure of Spring without conflict has found its own axis carrier. An important axis, wrong, but effective for the room full of spectators. It would have been filled the hall with a conflict differently? Based on the particulars of his own title? I could not tell and I have not even read the book.

For the rest, though fun, does not deviate from "I Cesaroni". As we are approaching. Because I enjoyed it.

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TWO LOVERS

Like a story that is trivial and pointless it becomes an enjoyable movie of all respect.

SBIRRI Exactly the opposite of the previous post.

A banal plot of love, adolescent imported into the world of adults. A period of time where seemingly nothing happens, and in the end nothing is out of the destiny of the people rule.

But in between, a film that you enjoy from start to finish. Intense, correct and above all full of narrative elements served with great skill. The audience, he imagines the worst (or best, depending on who you imagine). Eventually, an obvious end, a happy ending, accepted as the best line of conduct, what we put everyone in that situation. Yet, while we expected dire fate for all three players in history. I would advise ... but soon after I get the question: to whom? However, it is to see just because of his sincerity and structural linguistics. Inside, the brilliant idea of \u200b\u200bstarting mislead the viewer. I think it is hidden right there the success of the film. E 'by the success of Titanic, which designate an end at the beginning of a story becomes a small bet for success. And 'the morbid side of the people who once became spectators in the hall, followed, and they like knowing more about the plot or sensed from the outset the misfortunes and sufferings of the protagonist which can identify. And 'the catharsis of the old Greek stage.

'm not walk out saying "that great movie." I left the room with a bunch of ideas that I had discarded because not enough "rich" to "bad luck" and "bad luck" for the protagonists. Well. Two Lovers is credited with telling simplicity, great!

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SBIRRI


SBIRRI ... as a good report can become a bad movie.

screenplay full of cliches, social message "0" or so, all things taken for granted. A director who misses the first time around the middle of his narrative. Just imagine what remains after.

possible that you could not do better?

possible that you could not use the camera as stated in the beginning? Reportage. Even the language was the shit that is not well defined in various scenes overflowing with such insolence that there is little of art but a lot of presumption.

's night hours. Waste any more time to throw down some line (s) account for acting would be too much and too much time wasted. Too bad that the only good actor in the film, along with my "old" actor Luca Angeletti was the policeman. Luke, attention, Angelo Langé is very good.

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PS. I saw that even from Israel have visited my blog. Hey ... I'm expanding too?