In the film Anna Negri, HEARTACHE, participating in the Sundance Film Festival, returns to the theme of precarious. It 'just a curse ... I am a "precarious". Like the characters in the film. Same field. And the fitter I like you 'choice of characters to look for those with precarious employment among workers in the film and television that does not convince me in the first place. Despite this, the film is enjoyable. If he had chosen the life of the precarious real, ie those that are at work - often in the service sector and small industry and handicraft, - Contracts with the "project" would have made a better service to his idea of \u200b\u200btelling too insecure feelings. ( then what is the specific projects that the recruitment of a night clerk or bartender in the management of a hotel or bar, that those who ruled or ruling has yet to explain it to me . Not to mention hundreds of other examples).
Above all, one found, that subterfuge that the vision of the trailer I had attracted quite a lot and that is, to tell everything through the eyes of a documentary filmmaker, has been or dropped immediately. Too bad. Which has the do not know if ever tried, at least in a phase of pre-writing or preparing to see the film through one lens. What's your character. I tried in 1997. All in all it works. The short, titled "Pay Per View" has as one of the characters, just the operator of the camera, which has a few bars off and you see his left hand a few times. Anna, You could go through. With two thirds of the film indoors, you'd really had many occasions - well studied previously - to tell the man behind the camera. Domage sin-sin-what!
